Are you on a quest for great theater? Then look no further than “Love Quest” by Mary Maguire and Steve McGraw coming to Theatre Winter Haven from October 1 through the 26. “Love Quest” explores the reality of online dating: its prejudices, its foibles, the ubiquitous feeling of “AAAAAAAAAHHHHHHHHHH” as you send your profile out into the ether. From Theatre Winter Haven’s description, “Kate Crawford, 64, is recently divorced after a 30-year marriage. Left by her husband for a

There’s a singular moment—a pause—when you learn that your favorite film is about to be remade, reimagined, and/or getting a sequel in a different decade. Even when the intruder is only a spiritual successor within the same IP family, it’s a feeling that’s hard to name: it might arrive as dread, as defensiveness, as anticipation, sometimes all three at once. Of course, the original doesn’t vanish when a remake appears. The copy on your shelf, the lines you know by heart, the

I am well aware that by kicking this thing off with words like “greatest” and “ever,” I am wading into highly subjective waters. Anyone proclaiming that any one person or place or piece of pizza or work of art is the preeminent example of its kind, “of all time,” is either selling something, engaging in a bit of cheeky hyperbole, or else they’re probably just an asshole. Stirring the pot. There is a decent chance this whole thing spirals into a diatribe and lands me firmly in

I. Amid the chaos of a malfunctioning shark and blockbuster ambition, it was the stillness of a story—told low and slow in the belly of a boat—that gave “Jaws” (1975) an inexorable sense of reality, serving to heighten fears imagined. Robert Shaw’s portrayal of Quint, recounting the horrors of the USS Indianapolis, etched itself into film legend. Shaw seemed to summon the performance from his marrow— something personal, something primal. It evoked the late-night tales told by

James Whale (Left) - Boris Karloff (Right) The Motion Picture Production Code—enforced from 1930 and reaching its most stringent application from 1934 until its decline in the late 1960s—represented one of the most aggressive regulatory frameworks in American cinematic history. Known commonly as the Hays Code, it functioned as both a moral compass and a tool of censorship, explicitly forbidding depictions of what it termed “sexual perversion.” The Hays Code was never just abo

Known as “The Man of a Thousand Faces,” Lon Chaney Sr.—silent film actor and pioneering makeup artist—is revered for his transformative performances and groundbreaking prosthetic work. He starred in more than 150 films and was an audience favorite, earning him the kind of immortality the screen seldom grants. Through both purpose and ability, he chose to embody characters existing outside the realm of conventional beauty and normalcy, giving depth to figures often relegated t

Time is one of the few variables with enough power to end, improve, inspire, and change the memory of love. Whatever its influence, we usually understand its meaning years later, but on the screen, we can live through its passages in hours. Manipulating time lends not only the philosophical and societal questions science fiction asks, but also those of personal reflection, changes in perspective, and a chance to see how our lives might have turned out if we had loved differen